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The main Elements editing window, which Adobe calls Full Edit. In some previous versions of Elements it was known as the Standard Editor, so keep that in mind if you ever try any tutorials written for Elements 3 or 4. You can operate the Editor in any of three different modes:. Full Edit. Most of the Quick Fix commands are also available via menus in the Full Edit window.

Quick Fix. For many Elements beginners, Quick Fix Figure ends up being their main workspace. Chapter 4 gives you all the details on using Quick Fix. Guided Edit.

It provides step-by-step walkthroughs of popular projects such as cropping your photos and removing blemishes from them. In Elements 9, it also hosts some fun special effects and workflows for more advanced users, too see Special Effects in Guided Edit. To get rid of the lock and free up your image for Organizer projects, go back to the Editor and close the photo there.

The Quick Fix window. Use the tabs at the top right of the screen to navigate from Full Edit to the Quick Fix window and to Guided Edit, if you like and back again. When you first open the Editor, you may be dismayed at how cluttered it looks. You can leave everything the way it is if you like a cozy area with everything at hand. Or, if you want a Zen-like empty workspace with nothing visible but your photo, you can move, hide, and turn off almost everything. Figure shows two different views of the same workspace.

To do that, just press the Tab key; to bring everything back into view, press Tab again. Two different ways of working with the same images, panels, and tools. You can use any arrangement that suits you. Top: The panels in the standard Elements arrangement, with the images in the regular tabbed view page Bottom: This image shows how you can customize your panels. Here, the Project bin has been combined with other floating panels and the whole group is collapsed to icons.

The images here are in floating windows page If you have a small monitor, you may find it wastes too much desktop acreage, and in Elements you need all the working room you can get. The downside of this technique is that you lose the ability to switch from Full to Quick to Guided Edit if you do this. You have to go back to the menu and turn the Panel bin on again to get those navigation buttons back.

You can also combine panels with each other, as shown in Figure ; this works with both panels in the bin and freestanding panels. When you launch Elements for the first time, the Panel bin contains three panels: Layers, Content, and Effects. Top: A full-sized panel. Bottom left: A panel collapsed by double-clicking where the cursor is.

Bottom right: The same panel collapsed to an icon by double-clicking the very top of it where the cursor is here once. Double-click the top bar again to expand it. In addition to combining panels as shown in Figure , you can also collapse any group of panels into icons see Figure Then, to use a panel, click its icon and it jumps out to the side of the group, full size.

To shrink it back to an icon, click its icon again. You can combine panels in the bin by dragging their icons onto each other. Then those panels open as a combined group, like the panels in Figure Clicking one of the icons in the group collapses the opened, grouped panel back to icons. You can also separate combined panels in icon view by dragging the icons away from each other.

In the Editor, the long narrow photo tray at the bottom of your screen is called the Project bin Figure It shows you what photos you have open, but it also does a lot more than that.

The bin has two drop-down menus:. Show Open Files. If you send a bunch of photos over from the Organizer at once, you may think something went awry because no photo appears on your desktop or in the Project bin. Bin Actions. You can also use this menu to reset the style source images you use in the new Style Match feature, explained on Merging Styles. Top: Here, the Histogram panel is being pulled into, and combined with, the Layers panel.

You can also make a vertical panel group where one panel appears above another by letting go when you see a blue line at the bottom of the of the host panel, instead of an outline all the way around it like you see here.

To remove a panel from a group, simply drag it out of the group. If you want to return everything to how it looked when you first launched Elements, click Reset Panels not visible here at the top of your screen. Here you see the bin three ways: as it normally appears top , as a floating panel bottom left , and collapsed to an icon bottom right. The Project bin is useful, but if you have a small monitor, you may prefer to use the space it takes up for your editing work.

The Project bin behaves just like any of the other panels, so you can rip it loose from the bottom of the screen and combine it with the other panels. You can even collapse it to an icon or drag it into the Panel bin. If you combine it with other panels, the combined panel may be a little wider than it would be without the Project bin, although you can still collapse the combined group to icons.

Just ignore them. Older versions of Elements used floating windows, where each image appears in a separate window that you could drag around. Many people switch back and forth between floating and tabbed windows as they work, depending on which is most convenient at the moment. All the things you can do with image windows—including how to switch between tabbed view and floating windows—are explained on Zooming and Repositioning Your View.

Because your view may vary, most of the illustrations in this book show only the image itself and the tool in use, without a window frame or tab boundary around it. Elements gives you an amazing array of tools to use when working on your photos. You get almost two dozen primary tools to help select, paint on, and otherwise manipulate images, and some of the tools have as many as six subtools hiding beneath them see Figure Right-clicking or holding the mouse button down when you click the icon brings out the hidden subtools.

The long, skinny strip on the left side of the Full Edit window shown back in Figure on page 24 is the Tools panel. It stays perfectly organized so you can always find what you want without ever having to lift a finger to tidy it up. To activate a tool, click its icon. Any tool that you select comes with its own collection of options, as shown in Figure As the box on Doubling Up explains, you can have either a single or double-columned Tools panel.

When a tool is active, the Options bar changes to show settings specific to that tool. If you had a single-row panel when you clicked, it changes to a nice, compact double-column panel with extra-large color squares see Figure If you had two columns when you clicked, it becomes one long, svelte column.

If you want to hide it temporarily, press the Tab key and it disappears along with your other panels; press Tab again to bring it back. Stop tapping the key when you see the icon for the tool you want. You probably have a bunch of Allen wrenches in your garage that you only use every year or so. The mighty Tools panel. For grouped tools, the icon you see is the one for the last tool in the group you used. This Tools panel has two columns; the box on page 32 explains how to switch from one column to two.

To activate the tool, just press the appropriate key. If the tool you want is part of a group, all the tools in that group have the same keyboard shortcut, so just keep pressing that key to cycle through the group until you get to the tool you want. You can deactivate it by clicking a different tool. This bestselling book will help you get the most out of the program, from the basics to advanced tips for both Windows and Mac. Many people think leadership is a higher calling that resides exclusively with managers who practice or ….

Today, software engineers need to know not only how to program effectively but also how to …. Data is at the center of many challenges in system design today. Difficult issues need to …. Skip to main content. Start your free trial. Buy on Amazon Buy on ebooks. Book description Elements 9 offers much of Photoshop’s power without the huge price tag. Quickly learn your way around.

Customize Elements to suit your working style. Get to work right away. Import, organize, and make quick image fixes with ease. Create scrapbooks, greeting cards, photo books, and more.

Use advanced techniques. Work with layers, blend modes, and other tools. Try out your new skills. Download practice images and try new tricks as you learn.

Show and hide more. Table of contents Product information. Introduction to Elements 1. Elemental Elements 4. Retouching 7. Artistic Elements Sharing Your Images

 
 

 

1. Finding Your Way Around Elements – Photoshop Elements 9: The Missing Manual [Book]

 

Table Of Contents. Quick Links. Table of Contents. Previous Page. Next Page. Page 3: Table Of Contents Page Page 5 Painting and Drawing Chapter 7 About painting and drawing Page 7 Printing Chapter 13 Printing images You Online or click the Adobe icon in the shortcuts bar.

Update Options. Once you have the image in Photoshop Elements, the software offers features designed to help you begin retouching images with ease. Page 16 Photographs are often taken or scanned at a slight angle and as a result may need to be cropped or rotated. Photoshop Elements lets you automatically straighten and crop images by using one of the Straighten Image commands.

You can also cut and rotate images by using the crop tool. Page Easy To Use And Affordable You can then paste the foreground object into another image to create professional, seamless composites.

Easy to Use and Affordable With an intuitive interface and affordable price, Photoshop Elements enables anyone interested in digital imaging to quickly enhance their images using professional tools. Page Web Tools Overview Web Tools Photoshop Elements provides a series of commands and tools that let you quickly and easily create eye-catching visuals for your Web page. Add custom effects You can specify layer settings such as drop shadows, bevels, and glows.

Explore Your Creativity Photoshop Elements software provides endless ways to get creative with your images. Its wide variety of tools and commands provide easy yet powerful ways to create and modify images.

Page Produce Outstanding Results Or you can use the Impressionist tool to quickly give photos the look of an artistic painting.

Page 23 User Guide Convenient, cost-effective, reliable printing Photoshop Elements makes it easy to get the most outstanding printed results while also saving time and money.

The Picture Package feature automatically generates multiple copies of a photo in different sizes on a single page, similar to the photo packages traditionally sold by portrait studios.

This enables you to maximize the use of expensive photo-quality paper, and gives you a simple way to create and print a contact sheet of your images for easy reference. Page Looking At The Work Area Using the tools area Some tools in the toolbox let you select, edit, and The Photoshop Elements work area is arranged to view images; other tools let you paint, draw, and help you focus on creating and editing images.

You can view information about any tool in the toolbox by positioning the pointer over it. By default, Click its icon in the toolbox. Page 31 Using palette menus Palette menus are an important part of working with Photoshop Elements.

Some commands in Palettes are grouped. To automatically resize the window when magnifying or reducing the view: With the Zoom tool active, select Resize Windows To Fit in the options bar. Page 35 To specify a different color, click the color box, Note: To reset the ruler origin to its default value, and choose a color. Some features—such as the Hints For Color, choose a preset color, or select palette and the Recipes palette—provide infor Page 37 Follow the instructions in the recipe.

You can commands. Using the Hints palette The Hints palette helps you learn how to use tools Using the Info palette and palettes. Do one of the following: The angle A of a line or gradient; Correcting mistakes Most operations can be undone if you make a Context menu for a document window mistake.

Think of presets as ingredients for creating an image. You select presets through pop-up palettes in the options bar. Setting preferences In Mac OS, do one of the following Photoshop Elements may not be able to list all the The path to the folder will appear in the prefer- plug-ins in their appropriate menus. Newly installed ences window.

Page 49 Select the desired disks from the menu you can partition of a drive with free memory. By default, assign up to four scratch disks. Photoshop Elements uses the hard drive that the Click OK. You can move, resize, or displays pixels horizontally and vertically.

Higher resolution images usually per unit of printed length in an image, usually reproduce more detail and subtler color transi- measured in pixels per inch ppi. In Photoshop tions than lower resolution images. To enter values as percentages of the automatically to preserve the total pixel count.

Note: You can also perform this test using an Optimizing the dynamic range of the scan percent neutral gray card or an step gray wedge from a photography store. Set the Anti-alias option in the options bar as desired. To blend edge pixels during rasterization, select the Anti-alias option.

Page Calibrating Your Monitor The parameters work just as they do on a television set. Page 77 When converting to indexed color, values of all three components are equal, the result Photoshop Elements builds a color lookup table is a shade of neutral gray. When the value of all CLUT , which stores and indexes the colors in the components is , the result is pure white; This Converting to indexed color reduces the option is useful for viewing images on a black- number of colors in the image to at most — Page 80 Previous colors from the RGB color cube.

For example, if previous conversion, making it easy to convert Photoshop Elements takes 6 evenly spaced color several images with the same custom palette. Choose a dither option from the menu, and enter a value for the dither amount. Page 83 You can also specify the area sampled by the eyedropper tool.

For example, you can set the The Info palette and the Adobe Color Picker let eyedropper to sample the color values of a you display color values using a number of color 3-bypixel area under the pointer. Page 84 Color Picker to select the color you want to add.

Position the pointer over an empty space in the Using the Adobe Color Picker Changing views of the palette You can use the Adobe Color Picker to select the You can change the view of the palette to display foreground or background color by choosing from swatches in different ways. Page 86 Any color you pick with Specifying a color using numeric values this option selected is Web-safe.

If you choose An image have corrected the overall color balance of your with full tonal range has a high number of pixels in image, you can make optional adjustments to all areas. By default, Shows the total number of pixels corre You can use the image are mapped to ; pixels with lower middle Input slider to change the intensity values intensity values are mapped to corresponding of the middle range of gray tones without dramat- lighter values.

Drag the slider to the right to darken the midtones; drag it to the left to Select the eyedropper tool, and choose 3 by 3 lighten the midtones. If color components, it helps to keep a diagram of a color channel is selected in the Levels dialog box, the color wheel on hand. You can use the color Moving the slider one The Variations command lets you adjust the color tick mark doubles the adjustment amount. Page When you apply this command, areas of an image. Page About Selections Chapter 5: Selecting o modify part of an image in Adobe isolating color areas with the magic wand tool.

Hold down Shift as you drag to constrain Select a marquee tool: the marquee to a square or circle. A higher value detects only edges segment, double-click, press Enter or Return, or that contrast sharply with their surroundings; You can move a selection border around an image, hide a selection border, and invert a selection so Since only the Enter a value for the Feather Radius, and edge pixels change, no detail is lost. If you have You can move or copy selections and layers within selected multiple areas, all move as you drag.

Photoshop Elements applications prompts you when vector artwork will be The drag-and-drop feature lets you copy and rasterized. To cut is pasted. Page Transforming And Retouching Chapter 6: Transforming and Retouching ou can transform and retouch images in If necessary, select the Shield cropped area many ways. For example, you can manip- option to show the cropping shield. You can crop seamless, panoramic image from multiple an image by decreasing the canvas area.

If larger than 2 megapixels. Click Add in the Photomerge dialog box. Page Because of differences in the work area: perspective, the pieces may not line up exactly. For a wider Select the Use Perspective option. You may want to create Note: If a type or shape layer is selected, you must You work with a preview image of the current simplify the layer before proceeding.

A bounding box appears in transform. Page CHAPTER 6 Transforming and Retouching To scale a layer, selection, or shape: Skewing, distorting, and applying perspective to layers, selections, and Select the layer, area, or shape you want to shapes transform. This option is useful when you Select the sponge tool. Choose a brush size from the pop-up palette in Choose a brush size from the pop-up palette in the options bar.

The paint builds up Choose a brush size from the pop-up palette in along the edges of the brush stroke. You can choose to erase contiguous pixels a layer to transparency as you drag;

 
 

[1. Finding Your Way Around Elements – Photoshop Elements 9: The Missing Manual [Book]

 
 

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